OrtizGames

I knew this would happen. Violence and games have been pretty much debunked time and time again, but here’s a professional report. There you have it. Now stop pointing fingers.

You’ve been blaming violence and social order on DOOM since the Columbine shootings. Just get over yourself. Crazy people go ape all the time.

I’m sure nobody blamed Jack the Ripper on anything other than Jack the Ripper. It’s the individual’s fault when the individual behaves against the norm. Not anyone else’s. They’re the ones who should recieve the reprocussions. I understand you want to fix the problem, but I think the Columbine shooters had a great deal more problems than video game addictions. They should have been treated psychologically for WHO THEY WERE, not how many games they played.

Thank you, and goodnight.

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This was an interesting post that has nothing to do with the news, and yet all to do with it.

I am a firm supporter of AO and M-rated games. And I am also a supporter of protecting children from the harm these games could cause them.

But here’s a clue: it’s not the game’s fault.

My siblings don’t watch The OC and Nip and Tuck. My little brother did not watch 300. Just saying.

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Since I’ve been playing Bully for the past month in order to review it, I have to say I disagree with this article.

I’m going to keep this short and sweet, since I have other things to do. I’ll go more into depth next week, when I review Bully in my Game of the Week section.

Bully was a game made as clever satire to illustrate a world gone mad from the eyes of an abused and unwanted child. In the game, you play the role of a Jimmy Hopkins, a frustrated teen thrown into a boarding school while his mother marries an old hateful jerk. He finds himself surrounded by loathsome bullies and sociopaths, lousy, irresponsible teachers and a headmaster that behaves so egocentrically he’s disgusting and suffers from severe fundamental attribution error.

In this chaotic world, Bully allows you to make order. You must make the choices and help out those in need–gain respect from all the social cliques and keep your nose out of trouble while trying to pass all your classes and accomplish many assorted tasks. While it’s true you can beat up, humiliate and harrass kids, there is no “reward” to doing so. You are not given “points.” In fact, after a while of playing I realized it was honestly a joyless endeavor to try to beat everyone up–I would much rather go about defending kids that needed it, because that would earn me respect. That would move the story forward and open up more for me, which is a reward.

Bully isn’t a game designed for children. It’s a game designed for adults. It’s an exposure to high school again, so that we may remember what it was like to struggle through the darker side of education, dealing with stress from all sides and trying to find our own place in our mixed up world–even if we have to fight our way there. And the truth is, in all circumstances, nobody fights for absolutely no reason.

I might as well not review it, now that I’ve gone ahead and written all that! But in all probability, Bully will appear in the GOTW section next week, as promised.  I just have to finish it.

I can respect the article in question because of the mention (at the very end, in a few short sentences) of differing views on the game’s premise. Were it not so heavily biased, I would actually think it’s a good piece of journalism.

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Nothing really to say today. Here’s a link to an interview with Gerard Jones, author of Killing Monsters: Why Children Need Fantasy, Super-Heroes, and Make Believe Violence. Thanks to The Escapist for the great opportunity to hear Jones’ direct opinion outside of the text, especially in the light of articles like this and this. I mean, jeez, has it become rule of thumb for the media to include videogames somehow in any conflict?

Thanks to Brenda for the following article replying to the “Mortal Kombat Killers” article. David McGraw called it a “refreshing find”, and I find I agree. It seems I’m usually swamped with bad opinions of games recently, and I’ve had it up to here with hearing, whenever I say I’m a game designer, “Oh, but do take care to make more educational and fun games, instead of those horrible violent ones.”

M and T rated games are less than 15% of the industry. Right now I´m playing Peggle.

Is everyone I meet going to assume that I’m just another peddler of violence looking to sell to children?

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Hearing this is rather disheartening as a supporter of T-, M- and AO-rated games being equally promoted and acknowledged in the industry as E-rated titles are. I really like M-titles. I do. I want there to be more of them. In the same way there’s like five bajillion R and PG-13 movies out there, there needs to be more M- and T-rated games. They’re what truly define the issues our cultures have to deal with today–the ugly things, the things people try to ignore. Racism, discrimination, violence, rape, political instability, historical precedents, human error, human flaws, conflicted sexuality and more. I love talking about human problems because they’re so many and they have so many sides to them. And the less you have to worry about reaching people’s standards, the less you have to worry about interfering with the art process. And I illustrate: Games Aren’t Art and its followup blog.

I recently stumbled on an old Columbine article while searching for an old computer game I can’t seem to find anymore. The interesting thing is, I recently downloaded and played the Super Columbine Massacre RPG! game, and was planning on reviewing it. Now I think I have enough links to be able to put this all together in one massive post. Fun, eh?

So when people argue games are excessively violent, they sometimes seem to use logic that absolutely blows my mind. Yes, I am aware of the existence of these violent games (though why Gunslinger Girls was on this list is an absolute mystery to me–I wasn’t aware boys were asking for this during Christmas). I am aware kids will want to play games like Grand Theft Auto and Halo. I am aware these games are not suited for them. But are you aware, General Public, that we know this already, and despite the angry outcries that we simply want to sell more games to more children and corrupt their minds, we’re constantly trying to improve ourselves by taking a look at what you say. I’m fascinated that people actually believe we’re trying to market adult games on kids. If I had kids, trust me, I wouldn’t be giving them Halo. They’d be playing Pokemon and Harvest Moon and Super Mario Bros., like 10 year-old-kids should. I’m sorry if our “confusing advertising and [] vague and poorly promoted rating system for videogames” isn’t enough for you. We kind of thought it would be a great idea to put people dying in previews for games that had people dying in them, for the sake of being obvious, and slap big Ms and Ts and Es on the front of game boxes with a subscript that reads “For Mature” or “For Everyone”. It seemed like a perfectly reasonable thing to do. I’m so sorry if it just doesn’t cut it. Next time, we’ll add little talking boxes, too, so when you pick up a game, it’ll scream its rating at you like a banshee.

And, of course, this year’s list of violent no-no’s. Funny that all of these are rated M and shouldn’t be played by children. M means not for children. I need to make a shirt out of that. One side: “I’m Rated M” and on the back, “Kids Shouldn’t Play Me.”

As Brenda Brathwaite just posted, people assume games are for children, and that all these violent games are harmful to them. Well, they’re not made for children That’s why we rated them ‘M’, for Mature. That doesn’t make them bad. Crash was a violent and impacting movie about stereotypes and people fighting with each other, and that won an Oscar for best picture–runner up being Brokeback Mountain, a movie about gay cowboys. Last my Church roared at me, homosexuality was evil. Not that I’m going to take their side on that, but why then are these the movies that are being nominated for Oscars, while videogames are being raged against?

Honestly, I’ve worked in a game store, and I’ve had all kinds of horror stories of adults yelling at me because I wouldn’t sell a minor a game. I couldn’t even get a word in with the man until I finally cracked as he was pulling his wallet out to pay for Grand Theft Auto. “SIR!” I roared, and half the store stared at me for a moment. “Do you have any idea why I refused to sell the boy the game?!” The man looked somewhat lost for a moment between being yelled at and realizing he had no idea why I had refused to sell the game. “Well, no. Why?” I took the game from his hands gently and showed him the M logo, implying it was for Mature audiences only. Then I read the rating contents on the back of the game in list fashion: drug use, sexual situations, extreme violence and gore… his eyes grew progressively wider and wider as I spoke, and when I was done he turned to the boy with a wild expression. “And you were going to buy this?” The boy stood there, looking numb, and pointed next to him. “I was buying it for him.”

He was pointing at his twelve-year-old little brother.

I have a younger brother. I played GTA with him. I made sure to point out, “Look, this is real, this isn’t, and obviously this is all cartoony so I hope you can understand that the main character is a total ****head and doing any of this in real life would mean we’d kick you out of the family.” And he got it. He understood. I also have a little cousin whose father got him an Xbox. My uncle and aunt are huge about raising kids. Big God people. Their firstborn was hyperactive so they had to learn a lot about parenting very quickly. And my uncle recently asked me if I recommended Medal of Honor Airborne for his 14-year-old, since he was looking for Christmas presents. And I know he chooses Medal of Honor because it’s a historical game, filled with learning impulses, and he knows my cousin needs to stay active and is extremely adept at First Person Shooters. I would have recommended Age of Empires 2 more, if he wanted my cousin to get an educated learning experience, but weighing RTSs versus the point and click nature of FPSs made me go for MOH.

I don’t think there’s anything wrong with kids playing some violent games with guidance. My folks took me to R movies sometimes and sat me down after each, explaining what we just saw. And I think that’d good. It’s part of growing up, since we don’t have kids running around the downtown streets anymore and watching their friends get killed in freak accidents (and I allude to parents and aunts and uncles I know). We need to make up for all the lost growing-up-experiences.

So parents need to have a deeper influence on what their kids are doing. That’s why the ESRB is there. I hope people understand this, because it’s really important. We didn’t put the ESRB up to help ourselves. It’s not there to promote our games. If we had our way we’d get rid of it and sell every game as E–more profit that way. I joke at work all the time about the elements we could put in that would earn us an M-rating. The ESRB is there for you, Mom and Dad. Use it. Raise your kids. They’re not going to raise themselves. But they will want to play games.

Right now, the ESRB has to go on defense to counter the statements made by the Video Game Report Card. Though the ESRB recieved a satisfactory grade (B) for the way they’ve handled ratings, people still seem displeased. One of the statements issued was that the ESRB messed up on their rating forManhunt 2, which was originally written down as AO, banning it from most consoles (which I disapprove of–I think an AO rating shouldn’t bar a game from being on a console, but there you go, I don’t run the world). Manhunt 2 was censored a great deal and given the less-stringent rating of M, but, apparently, “PSP version of Manhunt 2 still contained violent content, although it was only made accessible by users who hacked into the handheld.” Oh, wow. So, what are you suggesting? Are you worried children will hack into their PSP to unlock Adults Only content? Are you serious?

First, let’s look at the improbablility of the situation. In the circumstance that a child finds themselves with the highly advanced technological ability to hack a console (my siblings can barely connect to the Internet) and they get possession of an already M-rated game which they technically shouldn’t be playing, yes, they are in high danger of finding adult content in Manhunt 2. Of course, if my child had that technological knowledge, I’d be more worried about who they’re talking to online that’s giving them these detailed instructions. Now, in the circumstance that a 17-, 18-year old (the age you have to be to actually buy Manhunt) gets a hold of Manhunt 2 and hacks it on his PSP… WELL. Technically, at that age, you’re legal, aren’t you? You have to be 18 to purchase an AO game and, oh, that’s right, you’re just a year away now. How is that making any difference whatsoever?

I think the issue here is just that people want to get rid of violence in games absolutely. And that, to me, is mortifying. It’s like saying “Let’s get rid of violence in comic books!” So Superman… will be… diplomatically engaging people threatening to destroy the planet. Or, “Let’s get rid of violence in movies!” So… Tarantino will be making… nothing. For the rest of his life.

You know, you have every right to censor what comes into your home. It’s your home. It’s your money. Kids can scream all they want but it’s still your rules. And if you sit them down and explain in a rational manner what it is you’re thinking when you make these rules, I’m sure you can get through to them. Or maybe you won’t. But that doesn’t mean you have to cede to them. I didn’t get to watch Titanic. I don’t know if I’m a better or worse person because of it, but there you go. Everyone else watched it. So what? I was kicking and screaming, but I realize now it wasn’t even that good a movie. I watched it recently and thought, eh, I didn’t really need to watch Leo DiCaprio wading around in water at that age. Your kids will probably understand when they’re older, too. Just make sure you have a reason for what you do.

We’ve covered ratings now. Rating gets in the way of the art process, according to my thesis. So what if a game ignores rating altogether? What if they try to do something that simply is unacceptable by most people’s ideals?
With the release of Super Columbine Massacre RPG! for RPGMaker 2000 came angry mothers, fathers, uncles, aunts, sisters, brothers, friends, and that guy who just rails against anything on his blog. I was shocked when I first saw its name. I was shocked when I heard the premise. But I’ve had a lot of time to dwell on it.

I think one of the reasons people were most furious about SCMRPG! for is the fact that it’s simply a game about Columbine. They think, “How could you disrespect the deaths of so many people?” And it’s true–it’s a chin-out, bold and outrageous thing to do that hits close to home in the hearts of many. I mean, I don’t see that many games about the Holocaust, for example. It’s just not done. People won’t even make jokes. Hitler jokes are funny. But Hitler’s just one dude. The Holocaust was millions slaughtered.

Another reason why people think SCMRPG! is garbage is because it seems to be a game that makes fun of the idea that heavy metal and DOOM make people violent murderers. So it’s a game defending gaming and Marilyn Manson. By talking about murderers. In a way it’s a somewhat stomach-turning formula, but it more-or-less makes sense.

The creator, Danny Ledonne, worked with Emberwilde Productions to direct and document the production and reception of SCMRPG! called Playing Columbine, and the IGDA screened it a week ago or so. I haven’t watched it, but I’m going to look around the Net to see if I can find it. I’m not really sure how to react to the video, honestly. I don’t know if I can classify this game as art. If art is something that evokes emotion, well sure, this evokes a lot of emotion in me. Rage, pain. Then again, I felt the same way watching Schindler’s List.

The thing about SCMRPG! is that as I was playing it, I began to somewhat understand what the killers must have felt, and must have been thinking. It’s amazing. I realized that as a kid, I probably went through a lot of the same crap these kids went through. And yet I’ve grown up and found different ways to deal with my problem, whether by sarcastically critiquing the society around me or trying earnestly to help it change. I recognize, as I play the game, that these boys made the wrong decision. And I feel bad for them. That was the point of the game, I suppose, as put forth by Danny Ledonne in his artist´s statement. He wanted something more profound than just a memoir for people lost in the tragedy. He wanted people to see what the real issue was–not games and heavy metal, but neglect and loneliness, things we all suffer from. It’s all it takes to drive someone over the edge.

Something more recent to take a look at is the Virginia Tech Massacre video, done in Halo 3, sort of re-enacting Virginia Tech with as much delicacy as possible while trying to still illustrate the events. For someone like me who plays FPS all the time, it’s difficult to really think about this video in real life terms, with this actually happening to someone. But when I try to put myself in the situation of someone being shot, it’s really rather mortifying.

And that’s one of the things that really moves me about videogames–using a game, someone went ahead and made a memento for people to remember a tragic event. A game. You see a lot of games about World War II, but often they’re really all about war and how the U.S. won it. I want to see a videogame about the Holocaust. I want a Schindler’s List kind of game. Now there’s art.

Tom Brokaw recently made me shake with fury when he suggested that videogames and blogs were cancerous. Apparently, he believes that blogs and videogames move people to try and do the same the Virginia Tech Shooter did, and then he argued that showing the killer’s final note on the air wasn’t giving him victory and inviting people to emulate them, but rather putting people on guard and “show[ing] how dark he was, and what the reality is.” So… videogames and blogs promote mass-murder? And I point to SCMRPG! and the Virginia Tech Massacre video. Showing the Virginia Tech Murderer’s video was showing people his innermost, evil thoughts. And SCMRPG! wasn’t? That was the thesis of the game–looking into why those boys did what they did, and making you feel somewhat stricken because of it. These things are not promoting violence. As controversial as they may be, they are reflections of people’s reactions to the times, and show a general concensus in the population of disagreement with what we see, and a desire to change it–whether by probing into dark minds or making people have to face their emotions.

Games like Manhunt 2, people say, are filled with needless and wanton violence. What about movies like Saw? I still see Saw entering theaters. In fact, it’s thought-provoking movies like The Golden Compass that get slandered. Why is that? Why are we criticizing the wrong things?

See, the problem isn´t the fact that we give kids virtual guns. The problem is we don’t tell them what they’re for, and then we give them a reason to use them in a way they shouldn’t. Columbine, for example–nobody cared about those kids. They only had each other. They were alone. Nobody taught them what how to deal with what they were dealing with. I, on the other hand, recieved a lot of support from various teachers–and I mean real teachers: English teachers, Math teachers, History and Drama teachers. The issue is we don’t teach anymore–we let kids learn. And they will learn whatever they see, unless we learn to teach accordingly and make sure the things they see are given context.

If there really are blogs out there that promote killing and death, then move to try and stop them. Write counterposts. Link people back to you and be smart about it. Teach them. Don’t just point the finger and say “bad”. All you’re doing is giving people more traffic by leading the population with your all-accusatory finger.

And if you really think video games are about murdering and slaughtering innocents… well. I’m not sure what you’re playing.

Maybe you should be playing Super Columbine Massacre RPG.

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Here’s a quick blurb on he news:

So there’s all this news this morning about various interesting things. We popped out of the dark ages of waiting for Rock Band, it seems. Anyway, Brenda Brathwaite already beat me to the punch for writing about a report put out by the University of Michigan. Only I read it on Gamasutra, so I feel special, and here it is.

As I have nothing more interesting to say on the subject than what has been said (by Brenda), let’s look at what Nintendo says about Western development and how they’re not planning on increasing it. As a Western-based game designer, this sucks for me. There’s a lot of untapped resources in the West, too–plenty of able and capable designers that can be just as effective as those found in Japan. It’s a little painful to see Nintendo limiting its resources and letting third-party games handle targeting the western market. Especially when you look at the top Wii sales, and see what developer is behind each game…

1		Wii Sports	Nintendo	53	421,419	6,695,293
	Super Mario Galaxy

Nintendo 2 417,301 1,106,571

Wii Play Nintendo 41 155,795 3,037,050

Guitar Hero III: Legends of Rock Activision 4 110,685 549,276

Mario Party 8 Nintendo 26 71,749 1,458,651

Mario & Sonic at the Olympic Games Nintendo 3 70,403 210,904

Link’s Crossbow Training Nintendo 1 66,758 66,758

Resident Evil: Umbrella Chronicles Capcom 2 65,078 183,187

Soul Calibur: Legends Namco 1 48,761 48,761

Rayman Raving Rabbids 2 Ubisoft 2 44,921 94,015(http://www.vgchartz.com/aweekly.php?date=39411&console=Wii&maker=&boxartz=1)

I’d like to point out, slots 1-7 excluding Guitar Hero III which is a console of its own (what with that guitar) are all made up of Nintendo, Nintendo, Nintendo.

It’s my theory Nintendo titles will continue to sell the Wii–and Western talent at NOA will never get a chance to develop for that audience.

Also, Final Fantasy XIII. Maybe the best yet? It sounds like a refined FFXII, which I approve of. I think FFXII could have used a lot of work.

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